Skip to main content

Vermeer, Fabritius & De Hooch: Three Masterpieces from Delft

Three world-renowned paintings by Dutch 17th-century masters, Vermeer, Fabritius and De Hooch, were the focus of a special exhibition in the Beit Wing of the National Gallery of Ireland from 14th February until 24th May 2009.


The paintings:


'The Goldfinch'(1654) by Carel Fabritius, on loan from The Royal Cabinet of Paintings Mauritshuis, The Hague;


'The Courtyard of a House in Delft' (1658) by Pieter de Hooch, on loan from The National Gallery, London, and

https://gluwhite-platinum.blogspot.com/
https://gluwhite2022.blogspot.com/
https://vien-sui-trang-da-gluwhite.blogspot.com/
https://vien-sui-gluwhite.blogspot.com/

the National Gallery of Ireland's, 'Woman Writing a Letter with Her Maid' (c.1670) by Johannes Vermeer.


All three paintings were produced at the height of artistic prosperity in the Dutch city of Delft. Celebrated for their depictions of daily life, these artists are acknowledged masters in the rendition of light, perspective and spatial illusion.
Fabritius' small panel painting 'The Goldfinch' was painted in the last year of the artist's short life, and has become one of the most iconic images of the Dutch Golden Age. It was shown alongside De Hooch's celebrated painting 'The Courtyard of a House in Delft', considered one of the artist's most accomplished works in capturing natural light and linear design.

Complementing these two paintings was the Gallery's masterpiece by Vermeer, 'Woman writing a Letter with her Maid' which is one of just 36 extant paintings by the artist.

Comments

Popular posts from this blog

Egon Schiele: The Radical Nude

23 October 2014 – 18 January 2015 The Courtauld Gallery is presenting the first major museum exhibition in over 20 years of one of the 20 th Century’s most exceptional artists, Egon Schiele (1890- 1918). A central figure of Viennese art in the turbulent years around the First World War, Schiele rose to prominence alongside his avant-garde contemporaries, such as Gustav Klimt and Oskar Kokoschka. He produced some of the most radical depictions of the human figure created in modern times, reinventing the subject for the 20 th Century. The exhibition charts Schiele’s short but transformative career  through one of his most important subjects – his extraordinary drawings and watercolours of male and female nudes. Egon Schiele: The Radical Nude concentrates on the artist’s drawings and watercolours. It brings together an outstanding selection of works that highlight Schiele’s technical virtuosity, highly original vision and uncompromising depiction of the naked figure. This sharply focu...

ARTHUR DOVE at AUCTION

BIOGRAPHY Arthur Dove was one of the first American artists to experiment with complete abstraction. His unique, nature-inspired style developed independently from his modernist contemporaries, and his thematic concerns remained remarkably consistent throughout his life. Dove was born in the Finger Lakes region of New York State, where his father was a brickyard owner and building contractor. He displayed an early interest in art and received his first painting lessons from a neighbor. At his father's insistence he attended Hobart College and Cornell University but continued to paint and draw. By the end of 1903, Dove was living in New York City and supporting himself as a free-lance illustrator for such popular magazines as  Harper's ,  Scribner's , and  The Saturday Evening Post . An eighteen-month stay in Europe between 1907 and 1909 set the course of Dove's future career. While in Paris he met other young American artists who were influenced by well-known European m...

Mark Rothko at Gemeentemuseum Den Haag

20 September 2014 – 18 January 2015 GEMEENTEMUSEUM DEN HAAG From rosy pink and jubilant yellow to bright blue to sombre black – face one of the vast canvases created by Mark Rothko (1903-1970) and you feel yourself being sucked into his world. Constructed layer upon shimmering layer, his colour fields are of unparalleled intensity and communicate universal human emotions such as fear, ecstasy, grief and euphoria. Rothko was an intensely committed painter who invested his whole being in his art and, like many other great artists, led a difficult life. Deeply disillusioned by the two world wars and plagued by depression, he was a tormented soul, yet capable of producing great art with an enduring capacity to comfort and enthral. These days, exhibitions of the American artist’s work are huge crowd-pullers and his paintings fetch record sums at auction. Rothko owed his worldwide fame to the ‘classic style’ painting’ he adopted in the 1950s. Interaction with the viewer was of great importan...