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Sotheby’s London 3 rd December 2014 Evening sale of Old Master & British Paintings is set to be a major highlight of the international auction calendar this winter. The sale is spearheaded by J.M.W. Turner’s Rome, from Mount Aventine, one of the last great masterpieces of British art left in private hands and one of the artist’s supreme achievements (est. £15-20 million). The sale is further distinguished by another masterful Italian view, a quintessential depiction of Venice by Canaletto, as well as unique compositions by Lucas Cranach the Elder, Pieter Brueghel the Younger and Sir Peter Paul Rubens. Estimated in excess of £32 million, the 43 lots also comprise pioneering works in the history of art, including one of the earliest examples of Dutch flower painting and one of the first British bird’s-eye views.  Joseph Mallord William Turner R.A. (1775-1851), Rome, from Mount Aventine, 1835 (est. £15-20 million) Oil on its original canvas and in its original frame, 36 by 4

Biography - Questroyal Fine Art, LLC, New York, New York By Chelsea DeLay In 1877, Edmund Hartley was born in Lewiston, Maine, to English immigrant parents. When he was only eight years old Hartley’s mother passed away. In his autobiography he explained how her death was a defining moment in his life: “I was to know complete isolation from that moment forward.” Four years later, his father remarried Martha Marsden and the couple moved to Cleveland, Ohio, while Hartley chose to remain in Auburn, Maine, and live with his older sister until 1893, when he joined his father and stepmother in Cleveland. He enrolled as a student at the Cleveland School of Art where he was exposed to the transcendental writings of Ralph Waldo Emerson, which strongly influenced the direction of his career. In 1899, at the age of twenty-two, Hartley left Cleveland after receiving a stipend funding five years of study in New York. He first signed up for classes at the Chase School and transferred sho