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Sotheby’s will offer Vincent van Gogh’s Still Life, Vase with Daisies and Poppies in its Evening Sale of Impressionist & Modern Art in New York on 4 November 2014. Painted at the home of Dr. Paul Gachet just weeks before the end of Van Gogh’s life, the artist uses the richly- colored bouquet of wildflowers to convey his psychological state at the time – a hallmark of the Expressionist icon. The resulting composition teems with the intense energy, emotion and sensitivity of this creative genius at the height of his short but renowned career. Still Life is one of the few works that Van Gogh sold during his lifetime, and is one of only a handful of great works by the artist to appear at auction in recent decades. The painting comes to auction this November with a pre-sale estimate of $30/50 million. Simon Shaw, Co-Head of Sotheby’s Worldwide Impressionist & Modern Art Department, commented: “Still Life, Vase with Daisies and Poppies radiates the exuberance and passion found in Va

National Gallery of Ireland, May 10 to August 10, 2008 The exhibition brought together over 45 wonderful paintings and drawings by Manet, Monet, Renoir, Morisot, Degas, Cassatt, Gauguin and Pissarro, on loan from public and private collections throughout Europe and the United States of America. It was the first serious survey of this particular dimension of Impressionism, and will show some of the many and varied ways in which Impressionists and artists within their circle engaged with interior spaces both public and private, domestic and social. Impressionist Interiors featured twelve paintings and pastels by Edgar Degas, among them; 'Portraits in a Cotton Office' (Museum of Fine Arts, Pau), 'The Convalescent' (J. Paul Getty Museum, Los Angeles); 'After the Bath' (Philadelphia Museum of Art) and 'Café Concert at Les Ambassadeurs' (Museum of Fine Arts, Lyon). There were also some fine examples by Paul Gauguin who often brought the outside world into h

20 September 2014 – 18 January 2015 GEMEENTEMUSEUM DEN HAAG From rosy pink and jubilant yellow to bright blue to sombre black – face one of the vast canvases created by Mark Rothko (1903-1970) and you feel yourself being sucked into his world. Constructed layer upon shimmering layer, his colour fields are of unparalleled intensity and communicate universal human emotions such as fear, ecstasy, grief and euphoria. Rothko was an intensely committed painter who invested his whole being in his art and, like many other great artists, led a difficult life. Deeply disillusioned by the two world wars and plagued by depression, he was a tormented soul, yet capable of producing great art with an enduring capacity to comfort and enthral. These days, exhibitions of the American artist’s work are huge crowd-pullers and his paintings fetch record sums at auction. Rothko owed his worldwide fame to the ‘classic style’ painting’ he adopted in the 1950s. Interaction with the viewer was of great importan

Three world-renowned paintings by Dutch 17th-century masters, Vermeer, Fabritius and De Hooch, were the focus of a special exhibition in the Beit Wing of the National Gallery of Ireland from 14th February until 24th May 2009. The paintings: 'The Goldfinch'(1654) by Carel Fabritius, on loan from The Royal Cabinet of Paintings Mauritshuis, The Hague; 'The Courtyard of a House in Delft' (1658) by Pieter de Hooch, on loan from The National Gallery, London, and https://gluwhite-platinum.blogspot.com/ https://gluwhite2022.blogspot.com/ https://vien-sui-trang-da-gluwhite.blogspot.com/ https://vien-sui-gluwhite.blogspot.com/ the National Gallery of Ireland's, 'Woman Writing a Letter with Her Maid' (c.1670) by Johannes Vermeer. All three paintings were produced at the height of artistic prosperity in the Dutch city of Delft. Celebrated for their depictions of daily life, these artists are acknowledged masters in the rendition of light, perspective and spatial illusi