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ROBERT HENRI at AUCTION




Robert Henri was born Robert Henry Cozad in Cincinnati, in 1865, the son of a professional gambler and businessman. In 1881 he accompanied his family to Denver. When his father was indicted for manslaughter a year later the Cozads changed their name and fled to Atlantic City, New Jersey. 

In 1886 Henri enrolled at the Pennsylvania Academy of the Fine Arts, where he studied under Thomas Anshutz, Thomas Hovenden, and James B. Kelly. In 1888 he went to Paris and enrolled at the Académie Julian under Adolphe-William Bouguereau and Tony Robert-Fleury. During the summers he painted in Brittany and Barbizon, and visited Italy prior to being admitted to the Ecole des Beaux-Arts in 1891. He returned to Philadelphia late that year, and in 1892 resumed studying at the academy. 

He also began his long and influential career as an art teacher at the School of Design for Women, where he taught until 1895. During this period he met the young newspaper illustrators who would later achieve fame as members of The Eight: John Sloan, William Glackens, George Luks, and Everett Shinn. He made regular trips to Paris where he was particularly influenced by Edouard Manet, Frans Hals, and Diego Velázquez. In 1899, one year after his marriage to Linda Craige, one of his paintings was purchased for the Musée National du Luxembourg.

In 1900 Henri settled in New York and taught at the New York School of Art from 1902 to 1908. He gradually began to reject the genteel traditions of academic painting and impressionism, and turned his attention to urban realist subjects executed in a bold, painterly style. In 1906 he was elected to the National Academy of Design, and that summer he taught in Spain. When the academy refused to exhibit works by Henri's circle in its 1907 annual show, he resolved to organize an independent exhibition. The result was the famous show of The Eight held at the Macbeth Gallery in February 1908. 

That year he married his second wife, the illustrator Marjorie Organ. In 1910 he organized the first "Exhibition of Independent Artists," between 1911 and 1919 he arranged jury-free exhibitions at the MacDowell Club, and in 1913 he helped the Association of American Painters and Sculptors organize the Armory Show. Henri's influence began to wane after the ascent of European modernism, although he continued to win numerous awards. He taught at the Art Students League from 1915 until 1927.

      Although Henri was an important portraitist and figure painter, he is best remembered as a progressive and influential teacher. His ideas on art were collected by former pupil Margery Ryerson and published as The Art Spirit (Philadelphia, 1923). He died in 1929 at the age of sixty-four.


Sotheby's April 11. 2013



ROBERT HENRI
LITTLE IRISH GIRL
Estimate 70,000 — 100,000 LOT SOLD. 197,000


Sotheby's April 5,  2012





ROBERT HENRI
SEGOVIA GIRL HOLDING PITCHER (GIRL FROM SEGOVIA)
LOT SOLD. 146,500 USD






ROBERT HENRI
Lot vendu   6,250
Sotheby's December 1,  2011






ROBERT HENRI 1865 - 1929

UNTITLED [ALANNA]

LOT SOLD. 482,500
 


Sotheby's May 19,  2011





ROBERT HENRI
1865 - 1929

IRISH LAD

LOT SOLD. 278,500 USD


Sotheby's March 3. 2010






ROBERT HENRI
PORTRAIT OF A GENTLEMAN


Estimate 25,000 — 35,000

Sotheby's November 28. 2007


ROBERT HENRI
1865-1929

BERNA
LOT SOLD. 685,000



Swann's 2003





ROBERT HENRI 
View from a Louvre Window, Paris.
Estimate $1,000 - $1,500
Price Realized (with Buyer's Premium) $2,530






  • ROBERT HENRI
    Reclining Nude
    Estimate $2,000 - $3,000
    Price Realized (with Buyer's Premium) $1,840


  • Christie’s 19 November 2014





    BOBY

    $400,000 - $600,000


    Christie’s  2013



    ROBERT HENRI (1865-1929)
    LITTLE COUNTRY GIRL
     Price Realized $197,000 
    Estimate $200,000 - $300,000






    Florencia
    PRICE REALIZED


    $483,750

    Christie’s   2012




    ROBERT HENRI (1865-1929)
    MISS JESSICA PENN
    Estimate $100,000 - $150,000 Price Realized  $152,500 






     

    Christie’s  2006







    Christie’s 2005






    PR.$45,600


    Christie’s 2001








    PR.$30,550

    Christie's 2000




    PR.$52,875

     Christie's1998







     

    Skinner 2013



    Robert Henri (American, 1865-1929) 

    Portrait of a Reclining Woman

    Sold for: 
    $4,200



    National Gallery of Art




    Girl Seated by the Sea
    Robert Henri, 1865 - 1929
    1893, oil on canvas, 18 x 24 (45.7 x 61), Collection of Margaret and Raymond Horowitz 

     
    In the summer of 1893, Robert Henri served as instructor in oil painting at the Avalon Summer Assembly in Avalon, New Jersey. The "Assembly," a Chautauqua-like educational program, had been organized "to afford teachers and others practical means for training themselves to a broader understanding of those subjects commonly taught, or which should be taught, in primary, grammar, and secondary schools."1 Henri's invitation to participate came shortly after he had returned from an extended period of study abroad. The paintings he produced in Avalon, including Girl Seated by the Sea, clearly reflect his brief but intense enthusiasm for European impressionism.

    As early as 1887, Henri confessed in a letter to his parents that he had contracted "Paris fever" and that he hoped to visit the French capital within the year.2 A few months later he set sail and shortly thereafter enrolled at the Académie Julian in Paris. Although he continued to study at the academy for some time, Henri became disenchanted with the conservative approach promoted by the artists who critiqued his work. Following the example of the impressionists, whose work he had seen in galleries and exhibitions, Henri began experimenting with strokes of pure color juxtaposed in the impressionist manner.

    In the fall of 1891 Henri returned to Philadelphia, enrolled at the Pennsylvania Academy of the Fine Arts, and began studying with Robert Vonnoh, another American artist who had traveled to Paris and become intrigued with the technical innovations of the impressionists.

    Girl Seated by the Sea is an experimental work that reflects Henri's brief fascination with the palette and painting technique of the impressionists. The figure at the center of the composition (perhaps one of his students at Avalon) sits in isolation looking at the sea and the ship on the horizon. Almost generic in her anonymity, she is less the focus of the composition than the warm, bright light Henri uses to define figure, shore, and sea. Adopting the "rough" strokes of color he admired in Monet's haystack paintings, Henri created a surface that conveys the "lucid" light he sought. Ironically, within a short period of time Henri would emerge as the leader of the so-called ashcan school -- a group of painters whose urban realism was often expressed with colors so dark they were sometimes called the "black gang."

    Nancy Anderson
    Associate curator of American and British paintings

     






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