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From 24 October 2014 to 8 February 2015 , the exhibition LOOKING AT MONET in the Orangery presents icons of Impressionism within a synthesis unique across Europe, as well as their multiple impacts on domestic art production. Thanks to first-rate loans from around the globe, the exhibition assembles key works by Claude Monet, some of which have never been on view in Austria. Eighteen years after its legendary Monet exhibition in 1996, the Belvedere presents some 30 principal works by Claude Monet, some of which have never been on view in Austria, including the world-famous paintings of Rouen Cathedral, several versions of Waterloo Bridge in London, and the late paintings of the water lilies. These will be juxtaposed with works by such Austrian contemporaries and followers as Gustav Klimt, Herbert Boeckl, Heinrich Kühn, Carl Moll, Emil Jakob Schindler, Max Weiler, and Olga Wisinger-Florian. Their works exhibit and visualise the traces the Frenchman left in Austrian landscape painting and

Samuel F. B. Morse’s monumental painting Gallery of the Louvre  will embark on a multi-year tour across the United States in January. Kicking off at The Huntington Library, Art Collections, and Botanical Gardens, in San Marino, CA (January 24–April 20, 2015), the tour will visit nine museums across the country, including venues in Fort Worth, TX; Bentonville, AR; Detroit, MI; Salem, MA; and Winston-Salem, NC.   The exhibition,  Samuel F. B. Morse’s “Gallery of the Louvre” and the Art of Invention , is the culmination of the painting’s extensive conservation treatment in 2010 and two years of scholarly investigation.  It will be accompanied by an anthology of the same title , published by the Terra Foundation and distributed by  Yale University Press .  Chicago businessman and art collector Daniel J. Terra (1911–1996) poses next to Samuel F. B. Morse’s iconic painting  Gallery of the Louvre , which has been a signature work in the Terra Foundation’s collection ever since it was acquired

On November 5, an exquisite painting by acclaimed British female artist, Eleanor Fortescue-Brickdale, will feature among the highlights of the 19th Century European Paintings auction at Bonhams. Botticelli's studio:  The first visit of Simonetta presented by Giulio and Lorenzo de Medici is estimated to fetch $200,000-300,000.  Painted in 1922, Botticelli's studio is a rare find given that Fortescue-Brickdale was known to work mostly in watercolor. The painting depicts Renaissance master Sandro Botticelli in his studio, upright and reverent in the presence of noblewoman Simonetta, who is introduced by notable patrons of the arts, Giulio and Lorenzo de Medici. The superb brushwork used to portray the elegant details in the clothing, furniture, drapery, and landscape visible through the window is a testament to Fortescue-Brickdale's skill as an artist, illustrator and colorist. Eleanor Fortescue-Brickdale enjoyed early commercial success and later became known for her commem

“Realms of Imagination. Albrecht Altdorfer and the Expressivity of Art around 1500”, taking place from 5 November 2014 to 8 February 2015, the Städel Museum is shedding light on far- reaching innovations that came about in the early sixteenth century in the art of Europe, which took on a surprisingly modern appearance as a result. With the aid of 120 objects, the show vividly conveys how, around 1500, an entire generation of artists formulated the genres of landscape and history painting as well as the portrait anew.  Far removed from naturalistic representation, an innovative, expressive interplay of light effects, exuberant colouration and grotesque forms and poses evolved throughout the spectrum of artistic media: painting, sculpture, printmaking, drawing and book illumination. Taking the artists Albrecht Altdorfer (ca. 1480–1538), Wolf Huber (ca. 1485–1553), the Master IP of Passau (active until after 1520) and Hans Leinberger (documented in Landshut, 1510–1530) as a point of depa